Pennington

Contents

The Pennington Sheela Na Gig now in Kendal Museum. Image copyright Clare Heron.

The Pennington Sheela na Gig now resides in Kendal Museum 1 .

The figure was found during a refurbishment of the church at Pennington in 1925. The current building dates from the 1826-27 after the earlier church was pulled down. There is a surviving Romanesque tympanum from the original church which is set into a wall. This has the unusual feature that it in inscribed with runes which name the founder and mason who built the church. The inscription has been said to read “Gamal built this church. Hubert the mason carved.” but this is open to debate and is not helped by the fact that the tympanum is badly weathered 2.

The Figure

The figure is fairly crudely carved in shallow relief. The left arm gestures to the deeply incised vulva while the right is mostly missing, but there is evidence that it to is gesturing in a similar manner. The remaining left hand has three carved fingers on it and there is a ghostly outline of a right had also gesturing to the vulva.  It also has two crudely carved hanging breasts high on the chest. The head again crudely carved has jug ears, a long simplistic nose, two circles for eyes and appears to be smiling. One of the more primitive examples of a sheela na gig.

Freya

Richard N. Bailey in 1979 recorded this name for the figure after a conversation with a local resident. It was then published a number of years later in his article “Apotropaic Figures in Milan and North-West England” (Folklore vol 94;i 1983). This makes this one of the newer names for a figure and is probably associated with the runic inscriptions on the church tympanum.

Thanks go to Clare Heron for the use of her photographs of this figure.

The complete figure. Image copyright Clare Heron
A close up of the face. Image copyright Clare Heron

 

 

  1. Kendal Museum’s page on the figure http://www.kendalmuseum.org.uk/about-us/the-collections/curators-choice/sheela-na-gig
  2. Page 186 Runes and Runic inscriptions. Raymond Ian Page Author, David Parsons Editor.